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Yet, surprisingly, the total does not come across as preachy or over wrought, and this is largely due to Kate Tempest’s impassioned delivery and the quality of the music. This is an intensely political record that harks back to the early days of hip-hop as she directs her fine honed literary tirades at capitalism, gentrification, climate change, war, disconnectedness, isolation and more. The grooves are fat, the tunes are great, and the lyrics, while cutting and acerbic, are drawn from a deeply humane perspective. The award winning British poet/rapper excels on her second album which is something quite spectacular. For me, it is the perfect music to distract from the dreary windy rainy Autumn weather. Their music creates a dreamy soundscape punctuated by clicks and snares, overlaid with intriguing lyrics suggesting themes such as the suffering of a Matador in the bull ring, to relationship breakup aftermath, even alluding to Maurice Sendaks “Where the wild things Are”. The band describes the piece as being like music from a long lost fictional civilisation that might have borne some similarity to Japan, Tibet, Nepal or Indonesia: a work of fictional anthropological field recording. If you like Steve Reich or Brian Eno or indeed cutting edge modern electronica then this will be right up your street. A modern classical piece with deep roots in modern electronic ambient works. Golden Pavilion is an ambitions, experimental, emotionally engaging album. The album pulls off that rare feat of sounding both vibrant and fresh whilst being firmly rooted in the tradition to which the music belongs. Melancholic, lyrical, delicate and beautiful, the music is played with grace and finesse by the Kugels who are the Wellington based quartet to which he belongs. However his latest works are a revelation, the album comprises traditional Jewish Klezmer pieces.
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Ross Harris is perhaps better known as the leading composer of the New Zealand classical world or perhaps his pioneering electronic pieces with the Free Radicals. Their radicalness is slightly reduced and beautified. This group is probably more avant-garde on stage but this is an ECM production. It’s a hybrid chamber jazz infused with subtle electronica, post rock, complex rhythm etc. Assembled from his long-time friends and master musicians, the quartet shows amazing interplays and integrates Taborn’s enigmatic compositions into the highly skilful group improvisations. One of the most innovative and versatile jazz pianists of today Craig Taborn has found ECM label as his home and this third effort for the label is a sheer magic. Infinitude is a beautiful, sublime album. The communication among the players is so fluid, and the guest guitarist Ben Monder adds rich textures. Born and raised on Vancouver Island where surrounded by an abundance of nature, their Nordic roots is strongly embedded in the music here, and blends wonderfully into modern sonic jazz which shows the shadows of the late 60s’ Miles Davis. (Shinji)Ĭanadian sister jazz musicians Ingrid and Christine Jensen (trumpeter and saxophonist respectively) have played together over the years, but making a collaboration album is something new for them. Somewhere in the mixture of Cocteau Twins, Sigur Ross and Godspeed You! Black Emperor, this album should appeal to a wider audience. However, their distinguished musical world mesmerising, gradually sublimated emotional sound scape, remains beautifully and enthrals you. This 16-songs-76-minutes-suite is their most pop album, featuring several singers and some rhythmical tunes. We hope you find something new to enjoy.Īfter experimenting with post-classical sound, the ambient, post-rock duo from Nashville seems to enter a new phase. A wide range of music styles and artists curated by our avid music fans on staff over the last few months.